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Lithium Magazine
Lithium Magazine
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  • Culture & Entertainment

What’s the Point of “Fake Accounts”?

  • March 1, 2021
  • Katherine Williams
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  • Culture & Entertainment

Oops!… We Did It Again: Why We Get Off on Women’s Pain

  • February 28, 2021
  • Tamara Jones
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  • Culture & Entertainment

Middle School Ends, But “Pen15” Is Forever 

  • February 26, 2021
  • Jadie Stillwell
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  • Culture & Entertainment

An Ode to Garage Bands and Punk Shows Past

  • February 25, 2021
  • Sheena Holt
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  • Activism, News, & Politics

r/WallStreetBets Was Never David

  • February 24, 2021
  • Jill Risberg
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View Post
  • 5 min

What’s the Point of “Fake Accounts”?

  • March 1, 2021
  • Katherine Williams
View Post
  • 7 min

Oops!… We Did It Again: Why We Get Off on Women’s Pain

  • February 28, 2021
  • Tamara Jones
View Post
  • 3 min

“Whole Lotta Red”: A Feverish and Avant-Garde End to 2020

  • February 28, 2021
  • Kaiya Shunyata
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  • 6 min

Blind Worship and the Films of Quentin Tarantino

  • February 27, 2021
  • Kaiya Shunyata
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  • 5 min

Why You Should Reject Music Elitism

  • February 26, 2021
  • Ellie Greenberg
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  • 5 min

Middle School Ends, But “Pen15” Is Forever 

  • February 26, 2021
  • Jadie Stillwell
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  • 4 min

How TV About Getting Lost Taught Me About Survival

  • February 25, 2021
  • Alex Eichenstein
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  • 4 min

An Ode to Garage Bands and Punk Shows Past

  • February 25, 2021
  • Sheena Holt
View Post
  • 5 min
  • Culture & Entertainment

What’s the Point of “Fake Accounts”?

One of the best sentences in Fake Accounts stands on its own, separated from the narrator’s musings on dating apps and the 2010s: “At some point you have to admit…
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  • 7 min
  • Culture & Entertainment

Oops!… We Did It Again: Why We Get Off on Women’s Pain

On February 5, 2021, The New York Times dropped a feature-length documentary chronicling Britney Spears’ turbulent rise to pop stardom. While Britney stans well-versed in #FreeBritney discourse may not have…
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  • Culture & Entertainment

“Whole Lotta Red”: A Feverish and Avant-Garde End to 2020

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Trending posts
  • What’s the Point of “Fake Accounts”?
  • Oops!… We Did It Again: Why We Get Off on Women’s Pain
  • “Whole Lotta Red”: A Feverish and Avant-Garde End to 2020
  • Blind Worship and the Films of Quentin Tarantino
View Post
  • 6 min
  • Culture & Entertainment

Blind Worship and the Films of Quentin Tarantino

When you’re first getting into film, you tend to hear the same names repeated over and over again: Fincher, Scorsese, and, most of all, Tarantino. As a young cinephile, I…
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  • 5 min
  • Culture & Entertainment

Why You Should Reject Music Elitism

There’s a scene in Hulu’s adaption of High Fidelity that sums it up pretty well: season one, episode four. Strangers clad in feather-adorned coats with glitter on their cheeks swap…
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  • 5 min
  • Culture & Entertainment

Middle School Ends, But “Pen15” Is Forever 

Middle school sux. We know this in the same way we know that if you have underage sex, you will be the first to die when your campsite is attacked…
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Trending posts
  • What’s the Point of “Fake Accounts”?
  • Oops!… We Did It Again: Why We Get Off on Women’s Pain
  • “Whole Lotta Red”: A Feverish and Avant-Garde End to 2020
  • Blind Worship and the Films of Quentin Tarantino
View Post
  • 4 min
  • Culture & Entertainment

How TV About Getting Lost Taught Me About Survival

Early in the pandemic, we collectively tuned in to a show or binged a series because it was a welcome reminder that others were out there. TV was the lone…
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  • 4 min
  • Culture & Entertainment

An Ode to Garage Bands and Punk Shows Past

It’s around 6 PM on a foggy July afternoon in the Sunset District of San Francisco. I’ve just spent half an hour nervously trying to find legal parking, which has…
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  • 7 min
  • Activism, News, & Politics

r/WallStreetBets Was Never David

Since the unprecedented surge in GameStop stock prices on January 28th, the now-famous subreddit r/WallStreetBets has been compared to David taking down a hedge fund Goliath. The analogy is understandable.…
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Trending posts
  • What’s the Point of “Fake Accounts”?
  • Oops!… We Did It Again: Why We Get Off on Women’s Pain
  • “Whole Lotta Red”: A Feverish and Avant-Garde End to 2020
  • Blind Worship and the Films of Quentin Tarantino
View Post
  • 6 min
  • Life

Foucault, Data, and Human Intimacy in the Age of Surveillance Capitalism

What is really mine anymore? On any given day, I’m letting little bits and pieces of my personal life become available to someone—or something—else. I don’t read the terms and…
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Featured Posts
  • 1
    What’s the Point of “Fake Accounts”?
    • March 1, 2021
  • 2
    Oops!… We Did It Again: Why We Get Off on Women’s Pain
    • February 28, 2021
  • 3
    “Whole Lotta Red”: A Feverish and Avant-Garde End to 2020
    • February 28, 2021
  • 4
    Blind Worship and the Films of Quentin Tarantino
    • February 27, 2021
  • 5
    Why You Should Reject Music Elitism
    • February 26, 2021
Recent Posts
  • Thank You, Instagram, for Ruining My Face
    • February 23, 2021
  • When Having Fun Feels Wrong
    • February 22, 2021
  • The Twitter Account Reviving Whisper, One Thirst Tweet at a Time
    • February 20, 2021
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What’s the point of “Fake Accounts”? Written by Lauren Oyler, Fake Accounts is a perfect addition to the list of much-overhyped millennial reading: Normal People, Bad Feminist, How to Do Nothing, etc. And if Oyler wasn’t such a harsh critic of that specific literary circle, this novel would just be another pretty well-written, unmoving book. But Oyler has gone after too many media darlings like Sally Rooney, Jia Tolentino and Roxane Gay in open takedowns that center on her distaste for moralizing, self-absorbed, digital-first writing. Read Lithium writer @katwilliiams take on this book, live on the site now 📚
Britney Spears, Tessica Brown “Gorilla Glue Girl,” and trauma porn all have something in common—they are representations of our fascination with women’s pain. In @tamaravjones’s latest piece for Lithium, she points out that “It’s up to readers to support better journalism and think about the consequences before sharing their unfiltered hot takes on social media. Britney Spears’ legal battle will continue and inevitably, someone else will take Tessica Brown’s spot as the internet’s main character, and I can only hope that we manage to break this cycle before someone else gets hurt.” Live on Lithium now 💫
Playboi Carti’s newest album Whole Lotta Red is the rapper’s ARTPOP. While it’s different from a lot of the rap dominating the Billboard 100, Carti does something a lot of mainstream acts are afraid to do: experiment. Lithium writer @kaiya.shunyata dives deep into Whole Lotta Red and discusses how the album, like Lady Gaga’s ARTPOP, is a fantastic work of exploration and departure from the rap that mostly dominated 2020. Read about it now 🎧
When you’re first getting into film, you tend to hear the same names repeated over and over again: Fincher, Scorsese, and, most of all, Tarantino. But when @kaiya.shunyata rewatched his directorial debut Reservoir Dogs, she couldn’t help but think of his mistreatment of actresses (notably, Uma Thurman), his use of the N-word in films, sprinkled in like a garnish he and his fans can’t live without, and decades of controversies. She writes, “It’s become impossible to ignore the way Tarantino has been worshipped, while simultaneously not changing the things for which he’s been criticized.” Read about it on Lithium now 🎬
Middle school sux. Hulu’s Pen15 follows thirteen-year-old best friends Maya and Anna as they tackle an endless seventh-grade year. From day one, they face humiliations that only strike when you are thirteen, like bad haircuts and periods. But Pen15 sets itself apart from all the other middle school dramas by not only having good stories and actors, but drawing attention to the fact that even performing thirteen is a complex thing. Read about it now on Lithium, written by Jade Stillwell 📚
We’re all culprits in contributing to the shame and embarrassment that have become synonymous with listening to specific artists. Rex Orange County has become the unofficial pinnacle of a wannabe-indie girl who’s a regular Urban Outfitters patron. A Smiths fan is egotistical and decidedly unable to get laid. Bon Iver attracts the coffee shop connoisseur with a God complex. @elliergreenberg’s latest is all about why you should reject music elitism— this one is a must-read. Live on Lithium now 🎵
@holt.sheena’s latest piece is an ode to garage bands and punk shows past. She writes, “I loved every part of it—the moshing (which I observed, perplexed, from the sidelines), the music, the sense of belonging.” Read her latest piece on Lithium now 🎸
Shows about getting lost are meaningful in a lot of different ways, especially during the pandemic. Watching shows like Lost and Survivor make us wonder, “how do people skip their skincare routine for more than a week?” to deeper examinations of trust and acts of selflessness when storylines like allies and sacrifice come into play. Alex Eich writes, “These are both stories about our magnificent, if inconvenient, need for other people. And they taught me to find beauty in a shared will to survive.” Read about it now on Lithium 🏝
Like most of us, @cierrabetts doesn’t read the terms and conditions, giving in and pressing buttons that half-heartedly beg for her permission to collect data. And in the dating world, many of us uncover deeper remnants of a romantic interest’s digital footprint; the blatantly misogynistic tweet they made in 2013 differs from the progressive, feminist persona they wear now. So... how does this affect our ability to be vulnerable with one another, then? How do we disclose our real selves when the first impression someone has is often of our hyperreal, online selves? Read the latest on Lithium now 📱

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