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Playboy

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  • 7 min
  • Culture & Entertainment

Playboy Is Only As Woke As Its Readers

It’s a classic coming-of-age scene: a young teenage boy, on the cusp of puberty, jacking off to a centerfold of Farrah Fawcett. Maybe his mom walks in and he rushes…
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Featured Posts
  • 1
    What’s the Point of “Fake Accounts”?
    • March 1, 2021
  • 2
    Oops!… We Did It Again: Why We Get Off on Women’s Pain
    • February 28, 2021
  • 3
    “Whole Lotta Red”: A Feverish and Avant-Garde End to 2020
    • February 28, 2021
  • 4
    Blind Worship and the Films of Quentin Tarantino
    • February 27, 2021
  • 5
    Why You Should Reject Music Elitism
    • February 26, 2021
Recent Posts
  • Middle School Ends, But “Pen15” Is Forever 
    • February 26, 2021
  • How TV About Getting Lost Taught Me About Survival
    • February 25, 2021
  • An Ode to Garage Bands and Punk Shows Past
    • February 25, 2021
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What’s the point of “Fake Accounts”? Written by Lauren Oyler, Fake Accounts is a perfect addition to the list of much-overhyped millennial reading: Normal People, Bad Feminist, How to Do Nothing, etc. And if Oyler wasn’t such a harsh critic of that specific literary circle, this novel would just be another pretty well-written, unmoving book. But Oyler has gone after too many media darlings like Sally Rooney, Jia Tolentino and Roxane Gay in open takedowns that center on her distaste for moralizing, self-absorbed, digital-first writing. Read Lithium writer @katwilliiams take on this book, live on the site now 📚
Britney Spears, Tessica Brown “Gorilla Glue Girl,” and trauma porn all have something in common—they are representations of our fascination with women’s pain. In @tamaravjones’s latest piece for Lithium, she points out that “It’s up to readers to support better journalism and think about the consequences before sharing their unfiltered hot takes on social media. Britney Spears’ legal battle will continue and inevitably, someone else will take Tessica Brown’s spot as the internet’s main character, and I can only hope that we manage to break this cycle before someone else gets hurt.” Live on Lithium now 💫
Playboi Carti’s newest album Whole Lotta Red is the rapper’s ARTPOP. While it’s different from a lot of the rap dominating the Billboard 100, Carti does something a lot of mainstream acts are afraid to do: experiment. Lithium writer @kaiya.shunyata dives deep into Whole Lotta Red and discusses how the album, like Lady Gaga’s ARTPOP, is a fantastic work of exploration and departure from the rap that mostly dominated 2020. Read about it now 🎧
When you’re first getting into film, you tend to hear the same names repeated over and over again: Fincher, Scorsese, and, most of all, Tarantino. But when @kaiya.shunyata rewatched his directorial debut Reservoir Dogs, she couldn’t help but think of his mistreatment of actresses (notably, Uma Thurman), his use of the N-word in films, sprinkled in like a garnish he and his fans can’t live without, and decades of controversies. She writes, “It’s become impossible to ignore the way Tarantino has been worshipped, while simultaneously not changing the things for which he’s been criticized.” Read about it on Lithium now 🎬
Middle school sux. Hulu’s Pen15 follows thirteen-year-old best friends Maya and Anna as they tackle an endless seventh-grade year. From day one, they face humiliations that only strike when you are thirteen, like bad haircuts and periods. But Pen15 sets itself apart from all the other middle school dramas by not only having good stories and actors, but drawing attention to the fact that even performing thirteen is a complex thing. Read about it now on Lithium, written by Jade Stillwell 📚
We’re all culprits in contributing to the shame and embarrassment that have become synonymous with listening to specific artists. Rex Orange County has become the unofficial pinnacle of a wannabe-indie girl who’s a regular Urban Outfitters patron. A Smiths fan is egotistical and decidedly unable to get laid. Bon Iver attracts the coffee shop connoisseur with a God complex. @elliergreenberg’s latest is all about why you should reject music elitism— this one is a must-read. Live on Lithium now 🎵
@holt.sheena’s latest piece is an ode to garage bands and punk shows past. She writes, “I loved every part of it—the moshing (which I observed, perplexed, from the sidelines), the music, the sense of belonging.” Read her latest piece on Lithium now 🎸
Shows about getting lost are meaningful in a lot of different ways, especially during the pandemic. Watching shows like Lost and Survivor make us wonder, “how do people skip their skincare routine for more than a week?” to deeper examinations of trust and acts of selflessness when storylines like allies and sacrifice come into play. Alex Eich writes, “These are both stories about our magnificent, if inconvenient, need for other people. And they taught me to find beauty in a shared will to survive.” Read about it now on Lithium 🏝
Like most of us, @cierrabetts doesn’t read the terms and conditions, giving in and pressing buttons that half-heartedly beg for her permission to collect data. And in the dating world, many of us uncover deeper remnants of a romantic interest’s digital footprint; the blatantly misogynistic tweet they made in 2013 differs from the progressive, feminist persona they wear now. So... how does this affect our ability to be vulnerable with one another, then? How do we disclose our real selves when the first impression someone has is often of our hyperreal, online selves? Read the latest on Lithium now 📱

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